《Concrete》是我关于音乐与平面动态关系的一次探索性作品集。它并非一个完成的终点，而是一个持续进行的实验与思考过程。
在这个系列中，我尝试将声音的结构性转译为视觉秩序，将平面设计的肌理与节奏延伸为动态形态。音乐的脉动、节奏的循环、音色的质感，都被映射到平面与动态的构成之中，像是一种跨媒介的对话。目前，《Concrete》仍然处于未完成的状态。它更像是一座正在搭建的实验工坊，既保留了粗粝、开放的特质，也承载着我对形式、符号与感知的持续探索。它是过程本身，而非终局。

Concrete is an exploratory project investigating the relationship between music and graphic motion. It is not a finished body of work, but rather an ongoing experiment and reflection.
In this series, I attempt to translate the structural qualities of sound into visual order, and extend the textures and rhythms of graphic design into dynamic motion. The pulse of music, the cycles of rhythm, and the timbres of sound are mirrored within the planes and movements of visual composition—forming a dialogue across mediums.At present, Concrete remains unfinished. It exists as a workshop in progress—raw, open, and evolving—while carrying my continuous exploration of form, symbolism, and perception. It is the process itself, rather than a final resolution.